strad wrote: ↑24 Oct 2018, 21:52
Radley, Then I assume you agree with me that they could do a lot better job with the mixer and adjusting the various microphone levels. Especially the car to pit levels and the backround to announcer levels?
Yes indeed! I've thought a lot about that and I wonder what the broadcast engineers at Sky and ESPN are listening to? The FOM world feed is very good (Dolby Digital). The trackside mics are in stereo and it seems like their engineer is a fan. From FOM it goes to Sky. There it gets messed up. Forum member "DM0407" suggests turning off the center speaker. I've brought mine down -12dB just for the races, and 12dB is a huge amount. I just can't get what the Sky people are listening to. Certainly their broadcast center has a Dolby system? ESPN then takes Sky's feed and really screws it around. NBCSN did the same thing. I think they're using the Hughes box which kind of makes everything pseudo stereo. I think they assume most people listen/ watch on a phone or tablet and are scarred that the Dolby 5:1 will decode incorrectly, so they just scramble it with the Hughes box.
I just keep wondering what the Sky people are set up for. In film language, the background "sound" is called "walla". I assume that Sky enginers aren't gearheads because like you said the cars are low the announcers high and they just treat the car sounds like walla. They think that's good enough.
The car to pit audio is pretty horrid and that comes from FOM. Riedel and TATA are responsible for that.
The thing is we/ I know it can be done well. One can put up a tennis match (ugh) and hear wonderful audio.