Thanks, Dave. Scarbs expresses the crux of issue better, no a-arms in his explanation...
He says, talking about how the new high noses have changed the car (noses that have an aerodynamic advantage that cancels the higher CoG disadvantages of push rod):
Now the front of the chassis is raised too high for a pull rod to work, the angle from the upper wishbone to the chassis is nearly horizontal. This geometry meaning that almost no movement of the pull rod will occur as the suspension moves. Making the set up structurally inefficient.
Well, if that's not clear enough, I don't know what else to add.
I would like to say that the "hype" mentioned in previous posts only exists in the minds of journalists and forum members. Although some people thinks that compromises are a sign of weakness (apparently, at least from the previous talk I see) and that engineers are miserable people that refuses to see what it's, oh, so clear in retrospective, I quote:
“For everything you have missed, you have gained something else, and for everything you gain, you lose something else.” -- Ralph W. Emerson -- (yeah, duh, but...)
Finally, I bet one bottle of rum to this: the car that wins the championship will have something different from what you read in the newspapers and the Net. After all, if it appears in the papers, then why would make a difference? Is the unexpected, the brilliance (again, seen in retrospective) what makes champions.
In this time and moment we do NOT know if GM, for example, will rebound from its misery. I still remember when Toyotas were cheap, ugly cars that nobody wanted. People used to mock the lack of inspiration and low quality of those cars, remember?
First Toyota Corolla: incomprehensible back then. Why, oh, why? What's with the mirrors? I'm not even talking about the valves, for the love of Pete. From that piece of junk, slightly better than a Yugo, a global empire was made. I just post it so people that now is gaga with Japanese cars get a grip on perspective
I think people that mocked Toyota back then, or mock american designers today, do that to compensate for their short, less than satisfying lives. So, if you are going to criticize american designers now that they are in a bad situation, do it gently. As Garfield says:
may your words be sweet, in case you have to swallow them.