Just_a_fan wrote:And yet a number of nations had national flags well before this. Indeed, they went to war with these flags well before this. When various European nations were killing each other in the 16th and 17th centuries they did so whilst flying national flags - albeit different to those flown by those countries today in some cases.
The political geography was a lot more fluid than any fixed modern notion of sovereign nationhood. City states, interbreeding monarchies, empires, trading-leagues and revolutionary republics.
A flow of talent across porous borders, the nationality and mercenary status of many of those 16th century armies, or civilian governments may surprise.
I always enjoy seeing animations that show the European borders ebb, flow and twist over 2000 years. How late the German city states snap into a country. The utter impermanence of supposedly fixed and intransigent borders. Contrast it with how tightly some try to cling to those imaginary lines drawn on maps, as if they have always been there, as if they actually exist in the real world as opposed to only in people's minds.
The notion that people born of a nation-state share innate common attributes, separate from the attributes of people from another nation, is a very late 18th and definitely 19th century romanticist invention. (Prior inventions used to justify and legitimize the state, empire, monarchy were not based on this idea, a narrow conception of "us" and "the other", and hence could afford to take a generally looser view on such matters).
An Englishman and a South African working for a Frenchman to make an Italian car with Japanese tyres win lots of World championships for a German, that is the very apex and essence of F1.
Senna was not a national icon, he was an international icon.
Vodafone, Red Bull and Philip Morris have no use for outmoded borders. Racing teams do not care about race, they want the best talent no matter its source or folklore.
F1 should be cutting edge, should distance itself from old-fashioned national flags and horrible (almost exclusively 19th century) affronts to the musical performing arts.
Its podiums should instead be a celebration of its globalist achievement.