In that post the fundamental frequency of V6 engine is clearly overestimated. The spectral print algorithm he used apparently has lower resolution at the lower frequencies (which is to be expected for a FFT spectrum analyzer) and possibly is normalyzed towards pink noise which would exaggerate high frequencies by 6dB per octave. Here's picture I got for Renault sound
It shows a trace around 250Hz which actually dominates pitch, and you can see that by using tonegenerator set to that frequency.
Here's the graph of V8 I got from that vid
I will discuss it in a minute
And here's a graph from Renault V8 engine which possibly comes from the same dyno as V6
(from
https://www.youtube.com/watch?v=Czw1pB6ZDRM)
All graphs have same vertical resolution (0-1000Hz).
My review of the graphs (and audio) is that the
pitch of V6 is in fact an octave lower than xxchrisxx's estimation, so it is
based on the same harmonic as in case for V8. The underestimation was caused by software xxchrisxx used for spectrum visualisation.
With that I have to note that the spectrum of the V6 differs from both recordings of V8s I reviewed here. Spectra of V8 contain significant amount of subharmonics which are absent in the V6 recording. On some throttling settings it causes the pitch to actually seem an octave lower in case of Cosworth, and sometimes there are fast timbre changes. It may appear that V6 is again not actual recording but rather a synthesized emulation. However, it can also be that different mic and pick-up position was used.
WhiteBlue wrote:My limited understanding of sound damping as it is used in dyno rooms is that exhausting through sealed pipes will dampen the amplitude of the sound wave, but not alter it's frequency spectrum and the perceived pitch.
Damping would absolutely affect frequency spectrum because of the dispersion characteristic of the material used for damping. Lower-frequencies penetrate sound insulation much easier than high-frequencies. Sometimes a tuned dampening is used which have some frequency-dependent characteristic. However it is tough to say what affect dampening would have on frequency spectrum (a cutoff point and rolloff steepness), without knowing construction of the sound insulation and the position of the microphone, but most likely it would emphasize lower frequencies.
WhiteBlue wrote:Would that 3. order based main note not be what others have found in the Mercedes sound file? I do not get my head around this discrepancies. Perhaps you can have a look at post and provide comments.
As it seems the 3rd order harmonic was graphing software artifact.